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Be a part of the CEC family by making your tax deductible contribution to Welltone New Music, Inc. Contributors are acknowledged in each concert program and receive priority seating at concerts. All contributions to Welltone New Music, Inc. are tax deductible and a thank you letter containing appropriate documentation for tax purposes will be mailed.

Please use the following links to make a contribution using PayPal or your Credit Card:

$1000.00 – Maverick

entitles you to two free subscriptions

$500.00 – Iconoclast

entitles you to one free subscription

$350.00 – Rebel

entitles you to two pairs of free tickets

$250.00 – Futurist

entitles you to a pair of free tickets

$150.00 – Original

entitles you to one free ticket

Alternatively, checks payable to Welltone New Music, Inc. can be mailed to:

Welltone New Music
20 Vesey Street, Floor 7
New York, NY 10007
(212) 691-6858

WELLTONE WOULD LIKE TO THANK THE CURRENT CONTRIBUTORS TO CUTTING EDGE CONCERTS 2017

Innovator $5000 +
New York City Department of Cultural Affairs
Lower Manhattan Cultural Council

Maverick $1000 +
The Jewish Foundation of Greensboro
Puffin Foundation West

Iconoclast $500 +
Nancy Hagar
Mark & Alison Peskin
Linda & Sidney Rosdeitcher
Michael & Debby Smith

Rebel $350 +
Linda & Marty Jacobson

Futurist $250 +
Joan Flanigan
Doug & Emily Grover
Barbra & Paul Krieger
Perry & Mitzi Pazer
Beverly & Jerry Siegel

Original $150 +
Steven & Sheila Bernard
Elaine & Bill Epstein
Margery & Sheldon Harnick
Inge & Frank LaSusa
Dr. Myles Lee
Ronnie & Marvin Marblestone
Paul Sperry

Nonconformist
Enid & Jack Benezra
Stanley & Arlene Fein
Matthew & Lori Fein
Margery & Sheldon Harnick
Ronnie & Marvin Marblestone

Foundations and Organizations
Cutting Edge Concerts New Music Festival is made possible through contributions from Puffin Foundation West, and in part with public funds from The Manhattan Community Arts Fund, supported by the NYC Dept of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council. Additional support from Japan Foundation of New York.

Cutting Edge Concerts New Music Festival

2 months ago

5.1.17 ... See MoreSee Less

Cutting Edge Concerts New Music Festival

4 months ago

Three operas by contemporary composers on textx by cutting edge authors: Victoria Bond/James Joyce; William Anderson/Djuna Barnes; Frank Brickle/Ezra Pound. ... See MoreSee Less

Cutting Edge Concerts New Music Festival: Off-Beat Operas

May 1, 2017, 7:30pm - May 1, 2017, 9:00pm

Three operas by cont...

Cutting Edge Concerts New Music Festival

4 months ago

In a surprising moment of heroism, Teddy Roosevelt led a daring charge to victory in the battle of San Juan Hill, which he later called "The Crowded Hour." In a similarly impressive feat, a new trumpet concerto by Victoria Bond, similarly called "The Crowded Hours" will be premiered on Monday, April 17 at 7:30 pm in Ganz Hall at Roosevelt University (430 S. Michigan Avenue, Chicago).
This unique work for trumpet solo, brass ensemble and narrator features soloist Mark Ridenour of the Chicago Symphony with the CCPA Wind Ensemble, led by Stephen Squires. Acclaimed actor Ray Ferwen narrates Theodore Roosevelt's words in the libretto by Dr. Myles Lee. Bond's composition incorporates popular American music of the 1900's including "Take me out to the Ball Game" and "A Hot Time in the Old Town Tonight." The evening's program also includes music by Adolphus Hailstork and James Stephenson. ... See MoreSee Less

The Crowded Hours

April 17, 2017, 7:30pm - April 17, 2017, 10:30pm

In a surprising mome...

Cutting Edge Concerts New Music Festival

5 months ago

The final concert of the 2017 Cutting Edge Concerts New Music Festival features the Cygnus Ensemble in a program of "Offbeat Operas" by composers William Anderson, Frank Brickle, and the world premiere of Victoria Bond's Sirens.

William Anderson's Eight Rhythms, Settings is based on a set of poems by Djuna Barnes from 1915. Anderson's utilizes many kinds of contemporary idioms-- indie rock, Simon & Garfunkel, and a bit of minimalism as well.

Le Testament de Villon by Frank Brickle begins with the opera by George Antheil and Ezra Pound and condenses it to an essential version dramatically and musically. This is the New York City premiere of Brickle's opera.

Victoria Bond's Sirens draws upon Episode 11 of James Joyce's Ulysses as inspiration. This episode, along with the overall theme of Joyce's Ulysses, is about being an outsider who is scorned and reviled. He is also everyman or everywoman who feels apart and alone in the midst of a world that has no use for him or her.

Program:

William Anderson/Djuna Barnes Eight Rhythms, Settings
Frank Brickle/Ezra Pound Le Testamente de Villon
Victoria Bond/James Joyce Sirens

Cutting Edge Concerts New Music Festival (CEC), now in its 20th season, was founded by composer and conductor Victoria Bond featuring the music of living composers. CEC has been called "a full-throttle commitment to contemporary music" by Chamber Music America, and "a gift to New Yorkers thirsty for new sounds" by Time Out New York. Discussions with the composers are featured on each program prior to performances by outstanding ensembles and soloists. In 2017 the Festival's three concerts will take place in the Leonard Nimoy Thalia Theater at Symphony Space. Highlights of this year's three-concert festival include the Eroica Trio (Monday, April 3) featuring works by Paul Schoenfield, Bruce Wolosoff and Kevin Puts; pianist Taka Kigawa and the String Orchestra of New York City (Monday, April 24) performing works by Richard Carrick, Sean Shepherd, Lisa Bielawa, and premieres by Victoria Bond and Zosha Di Castri; and the Cygnus Ensemble (Monday, May 1) presenting a program of "Offbeat Operas" written by William Anderson, Frank Brickle, and Victoria Bond. ... See MoreSee Less

Cutting Edge Concerts New Music Festival

May 1, 2017, 7:30pm - May 1, 2017, 9:00pm

The final concert of...

Cutting Edge Concerts New Music Festival

5 months ago

The second concert of the 2017 Cutting Edge Concerts New Music Festival features the renowned pianist Taka Kigawa performing works by Richard Carrick, Sean Sheppard, and Zosha Di Castri, along with the String Orchestra of New York City playing pieces by Lisa Bielawa and Victoria Bond.

Critically acclaimed pianist Taka Kigawa has earned outstanding international recognition as a recitalist, soloist, and chamber musician since winning First Prize in the prestigious 1990 Japan Music Foundation Piano Competition in Tokyo. He has been praised as a "Phenomenon" by The New York Times and "an artist of stature" by The New Yorker.

Richard Carrick's la touche sonore sous l'eau is a harmonic/melodic reduction and re-understanding of Debussy's Jeux, a study on Debussy's compositional lightness. Sean Shepherd's Preludes is another piece inspired by Debussy's solo piano works, and is the composers' only work for solo piano. Zosha Di Castri is a Canadian composer currently living in New York City and on faculty at Columbia University. Her work has been performed by diverse ensembles from the San Francisco Symphony to the JACK Quartet and Talea Ensemble.

Called a "Feisty String Orchestra" by Allan Kozin of The New York Times, The String Orchestra of New York City (SONYC) is a conductor-less chamber ensemble that was founded in 1999. SONYC's members rehearse in a collaborative effort that allows each musician to have an impact on the artistic process.

Lisa Bielawa's The Trojan Women identifies and conveys three different forms of grief, each one a consequence of one woman's particular suffering. Based on frescoes and mosaics in Pompeii, Victoria Bond's Frescoes and Ash confronts Pompeii's tragic doom, and expresses the Romans philosophical acceptance of death.

Richard Carrick la touche sonore sous l'eau
Zosha Di Castri Dux
Sean Shepherd Preludes
Taka Kigawa, piano
Lisa Bielawa The Trojan Women
Victoria Bond Frescoes and Ash
String Orchestra of New York City

Cutting Edge Concerts New Music Festival (CEC), now in its 20th season, was founded by composer and conductor Victoria Bond featuring the music of living composers. CEC has been called "a full-throttle commitment to contemporary music" by Chamber Music America, and "a gift to New Yorkers thirsty for new sounds" by Time Out New York. Discussions with the composers are featured on each program prior to performances by outstanding ensembles and soloists. ... See MoreSee Less

Cutting Edge Concerts New Music Festival

April 24, 2017, 7:30pm - April 24, 2017, 9:00pm

The second concert o...

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